1917

Must Go
While 1917 is realistically gruesome, director Sam Mendes depicts the horrors of war – beautifully. By that I mean, even the most horrifying and sad shots in the film, while highly stimulating in the aesthetic and emotional sense, are never extremely graphic, and you are never hit over the head with it. 1917, in this way, is a beautiful artistic masterpiece, never straying close to being shock art, but not holding back at the same time.
There is an especially touching scene in a bombed-out town where paths are crossed with a French woman (Claire Duburcq) caring for an orphaned infant. It’s a reminder that humanity still exists, even within the bounds of war.
A great film.