Manchester by the Sea

Must GO

Some people find a way to pick themselves up from the rubble of a personal tragedy and rebuild a life for themselves. Others are permanently broken, and they die in spirit if not in body. Despite the serious subject matter, there is a surprising warmth that permeates the film. This is a film primarily about a man forced to confront his demons. There is a terrific chemistry between Affleck’s Lee and Lucas Hedges, who plays his nephew Patrick. Make no mistake, despite its subject matter this film is often hilarious, with the dialogue between Lee and his nephew providing most of the frequent outbursts of laughter. Owing to his detachment and fear, Lee is fairly useless as a caregiver to Patrick, who in turn pushes his limits in being allowed to do whatever he wants (mostly chasing girls – there are particularly hilarious scenes when he is trying to get laid). Affleck’s Lee is also forced to confront his demons in the form of his now ex-wife Randi, played by the ever-brilliant Michelle Williams. It’s actually a relatively small part, but a key one, with an especially important scene that is played beautifully by both Affleck and Williams. If you aren’t yet scared off, you will be rewarded with one of the most outstanding films of the year, and one of the best ever on-screen portrayals of grief. Casey Affleck embodies Lee as the broken man – a tortured soul who doesn’t blame himself for the unspeakable tragedy that destroyed his life, yet neither can he forgive himself. As penance, he has basically dropped out of society and moved to Quincy, where he lives in a dumpy apartment simply trying to survive each day shoveling snow and fixing leaky faucets. It’s his way of not facing the present while avoiding the memories that haunt him. This is an engrossing, compassionate, deeply moving film. For me, it’s the best kind of story-telling: it’s impossible to predict the turns it takes, but when they are taken they are completely plausible.